A civil war reenactment, photography style, near Chattanooga TN, 2010
The era of the deep angle, folks. It COULD have been a super cool shot, but this angle hurts!
I was 20, what did I know??😂😂
A civil war reenactment, photography style, near Chattanooga TN, 2010
The era of the deep angle, folks. It COULD have been a super cool shot, but this angle hurts!
I was 20, what did I know??😂😂
Something different for you today, kiddos! Enjoy :-)
The year was 2020, the time was covid.. I had just pulled myself out of some rough mental places in 2019, juggling two young girls, attempting a photography business, and dealing with unresolved postpartum and life issues. The world experienced a series of unprecedented events, one right after another, leaving us all collectively grasping for any sense of normal in a mess of germs and hatred.
My own reaching found 52 Frames. An online community for photographers, who took on weekly prompts to learn, meet other creatives, and try new techniques. Members ran the gamut of seasoned professionals, to grandmas with iPhones. I loved the diversity in perspectives and experience in a space that kept my craft close while the world sorted itself out. So in 2021, I jumped in. It was a great place for creative accountability. With each week’s new submission, the photo streak number increased, you didn’t quit! Wahoo for a good metric!
Before I knew it, I had completed a full year of 52 images, well on my way to developing an artistic style from the weekly practice. It was a struggle, but it continued to feel something akin to the high you get after running a race. Hard, but happy in hindsight. Another year began, I started to grow confidence in myself as an artist, posting elsewhere on places like IG and Glass. My exposure to other creatives outside of 52 Frames increased. I started meeting these communities in real life, making friends, learning, and being inspired.
Fast forward to 2024.. the world is changed, my kids have grown, and with them, responsibilities outside of creative photography. My client work, while slow, is expanding. Free time for creative expression is harder and harder to come by. Kid activities are demanding more travel time. Our garden/property responsibilities aren’t shrinking either. Many things to prioritize.
And so, last week, after 188 consecutive weeks I said goodbye to the practice.
Did I take my commitment to the whole endeavor too seriously? Yes, yes I did! But I’m massively grateful. So many of the images you see on this blog are directly and indirectly related to time contributing and learning from the platform. I’m happy I kept going, incredibly thankful for all the ideas I now have, and the skills I’ve cultivated. There were and are constraints, but 52 Frames helped me see those as a tool, and not a burden.. well, at least some of the time ;-)
The community is absolutely lovely as well. I could go on and on there, but I’ve already rambled enough. If any of you are reading, thank you so much, for all the time and care and kindness you’ve shown (the internet doesn’t have to be a bad place)!
⚡In summation⚡ if you’re looking for creative resistance training, or help on the journey to finding your “why” with photography, I cannot recommend 52 Frames enough.
On the schedule for tomorrow, less talk, more image! Thanks for reading!
A fern, in the Chuckanut Mountains, 2023
Have you brought forth anything into the world lately? A dramatic question 😆 but come on, what did you expect?
One of my photographs was mentioned on a podcast a while back, and Jason ended with suggesting that the photo inspired him to ask the question- what could he make? What would his own self-portrait be like? It was the kind of question that made me really happy… the idea that our act of creation can beget curiosity, one of human kind’s great attributes.
The world feels like a distracted, destructive, consumptive mess. Inspiring work, ideas, kindness, connection is a direct rebellion of this tangle. It’s a rebellion I can get behind, and hope to continue being a part of. Thanks so much to the 3x2 podcast for the feature.
On top of a mountain, somewhere in the PNW, January 2024